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Rachel Smythe is a comic artist and folklorist based out of Wellington, New Zealand [4]. She is the creator of the widely-successful, international, web comic Lore Olympus; a modern-day deconstruction of the classic Greek myth, The Abduction of Persephone. Rachel Smythe has worked full time on Lore Olympus at Webtoon Entertainment Inc. since March 2018 [3]. She interacts with fans of her work by reposting their artwork and cosplay on her Instagram and Twitter, and attending comic conventions.

Artistry[]

Rachel Smythe has been producing artwork and posting it online since roughly 2004 [11]. She graduated from Whangunui School of Design (Whangunui, NZ) with a Bachelorā€™s degree of Computer Graphics and Design (2005-2007) [3]. Interest in her projects has fluctuated since she started posting art online, and Rachel has said that there was so little interest ā€œat the start of 2017, I could not pay people to look at my artwork.ā€[11] Launched in 2018, Lore Olympus has been Rachelā€™s most popular project to date, with over 4.8 million regular readers worldwide. She has explained that the built-in audience on Webtoons ā€œhelped a lotā€ when it came to building a fan following of her work[8]. She has been grateful for her experience with Webtoons saying in 2019, ā€œas an artist [the people at webtoons] really look out for you, and I can say they are such a great company to work with. You know, itā€™s just been one of the best years of my life working with them this year.ā€[11] While illustrating Lore Olympus, Rachel Smythe intentionally relies on colour and lighting to create atmosphere [11]. Over the years she has used many art styles, her mindset is that ā€œestablishing a style is ongoing as long as youā€™re creating art.ā€[15] Regarding her medium, Rachel has said ā€œwhat really drove me to make comics in the first place is I really wanted to be a director, but like being a woman in my 30ā€™s, based in New Zealand, who had trained to be a graphic designer was kind of unrealistic to retrain to be a director. But when youā€™re making a comic, it is kind of like being a director in a lot of ways; like you pick everything that goes in it, and the flow of it, and what everyoneā€™s wearing, and decide how everything looks.ā€ [7]

The tools and programs that Ms. Smythe uses while creating Lore Olympus are [1]:

  • Wacom Cintiq 22HD with Photoshop CC
  • Ipad Pro with Clip Studio Pro
  • brushes from www.kylebrush.com, including:
  • Kyleā€™s drawing box - Wet Pencil - line art
  • Kyleā€™s paintbox - Gouache a go-go - Shading (sometimes)
  • Kyleā€™s real watercolour - Medium wash texture
  • FX - add Canvas - for texture (used on an overlay layer in photoshop)
  • Jason Brubaker font pack from https://gumroad.com/jasonbrubaker


Creating Lore Olympus[]

Rachel Smythe started Lore Olympus in May 2017 [11]. She has said she ā€œbasically started it out for fun.ā€[11] It launched on featured on March 4th 2018. Creating Lore Olympus is her full time job. [6] In August 2019, Rachel opened up about working around 60-70 hours per week on Lore Olympus. [1] Her workdays are Monday to Saturday, with Sunday as rest day for herself. She uses the Pomodoro time management technique during workdays, and stretches during longer breaks. [6] The story beats for Lore Olympus are planned by Rachel one to two years in advance and fine-tuned with her editor. [1] Ms. Smythe says she ā€œreckonsā€ Lore Olympus will total 3 seasons. [7] The art in episodes 1-30 was done completely by Ms. Smythe. Following that, some of the flats and inking have been worked on by additional artists in order to ā€œto increase the quality of the comic and also quality of life for [Rachel].ā€ [7] This also serves as a support system, as Rachel has explained ā€œIn the future when I have events and things, or life, happening to me, I know that I can have a team to help me out when I need.ā€ [7] When asked about the hardest scene she has drawn, Rachel has said it was chapter 24. [10] Although the scene had disturbing content, she felt called to include it in the story for a greater good.

ā€œIt needs to be educational for people and it needs to help. Thatā€™s the main thing, I was like I have to help people with this.ā€ [10]

ā€œWho do you know that hasnā€™t been sexually assaulted? The number is depressingly low, right? Why is that?

There is no short answer or an easy fix. I have a platform. I can tell a story that will hopefully educate and help others feel acknowledged and vindicated.ā€ [9]

Talking a bit on Lore Olympus she has said:

ā€œThis is a deconstruction.[ā€¦]So itā€™s basically looking at particular genres, and kind of twisting them a little bit. So Iā€™ve kinda got like the monster-boyfriend genre and thereā€™s a plotline at the moment where like Hades is much older than Persephone and, you know, itā€™s a little like ā€œeughā€, kinda thing! This is something that we see in movies and stories a lot. Itā€™s like youā€™ll have the female character, and then youā€™ll have the male character who is very old and wise, and theyā€™re like ā€œI know so much more than you because Iā€™m very very oldā€ Haha! So itā€™s looking at the framing of those sorts of cultural tropes, and twisting it up a little and observing it, and kind of having a bit of a laugh with everyone. Especially with my character Persephone, sheā€™s a very soft protagonist. I basically designed her in such a way that I wanted her to be relatable for people, especially young women, because I feel like thereā€™s a lot of media where they have a ā€œstrong female characterā€ and theyā€™re really good at doing backflips and stabbing people and saving everyone from totalitarian societies and things, and itā€™s really cool and thereā€™s definitely a place for that, and itā€™s super important. But also I think we need representation for softer people, who their idea of having a breakthrough is just verbally learning how to stand up for themselves. Things like that. Just little relatable things.ā€ [11]

Early Work[]

THE DOCTOR PEPPER SHOW

In 2004, Rachel released an independent webcomic series called The Doctor Pepper Show, a NSFW story set in a dark neo-Victorian setting described as "a world where evil doctors rule, girls wear frilly underpants and people use their manners."[16] The Doctor Pepper Show was discontinued in 2006, allegedly due to Rachel transitioning into college. While it's implied through its marketing that the comic went through redraws, the original version of The Doctor Pepper Show and its redrawn pages are not accessible through traditional means, only discoverable through The Wayback Machine and sparse websites that are still active such as Rachel's BigCartel shop.

The Doctor Foxglove Show was later released on the Webtoons platform on January 5th, 2016, starring a new protagonist and plot set in a similar neo-Victorian setting as The Doctor Pepper Show. It is described as a "'surreal thriller that follows a young woman and her struggles adjusting to her place in between life and death".[17] During its time on Webtoons, it would release an intro and its first two chapters between January 5th 2016 and June 12th 2016 before ceasing production, around the same time production of Lore Olympus began on Tumblr. Some sample pages and concept art pieces of The Doctor Foxglove Show can still be found on Rachel Smythe's Deviantart and Artstation, but the comic has since been removed from the Webtoons' Canvas section.

Personal Life[]

Rachel Smythe is a 37-year-old woman from Aotearoa, currently residing in Wellington New Zealand. [1] Since 2007, she has worked as a freelance designer/illustrator and she has been posting online since 2002. [3][11] Rachel admits that she is ā€œquite sensitiveā€ and that she doesnā€™t read the Webtoons comments very often. [7][9] On this decision she said ā€œSometimes I think itā€™s better to just focus on making the work. Like I said, sometimes, yeah, Iā€™m missing out on those comments from people who are really nice; but my way of repaying them is taking time to make them really good content to read later.ā€[11] Sometimes if a large number of people on her Patreon have requested something similar she has kept it in mind, but otherwise Rachel has tried to craft Lore Olympus without outside influence, because as she has said ā€œIā€™m the one that has to stand by my work at the end of the day, and articulate why I did what. And Iā€™d like to make my own choices for myself.ā€ [11] Rachel has opened up about writing Lore Olympus with dyslexia, ADHD, and anxiety on her Twitter. [2] She also posts in support of the Black Lives Matter movement. [1] She has attended Chromacon in Auckland New Zealand as well as L.A. Comic Con as a creator for several years. [1] Rachel has said before that creating Lore Olympus is ā€œ[her] dream job.ā€ [10] Practicing gratitude has helped her cope with the difficulties that come with her work. [10] Some of Rachelā€™s likes include skin care, manicures, cartoons, movies, podcasts, folklore, snacks, and coffee. [1][2][9] Advice she gave to anyone starting out in comic creation: ā€œjust do it.ā€ [8]

Awards and Honours[]

  • 2019 Ringo Awards Nominee (best colourist)

Sep 2019

The Mike Wieringo Comic Book Industry Awards is an annual celebration of the creativity, skill and fun of comics. The nomination ballot is determined by fans and pros alike.

  • 2019 Will Eisner Comic Industry Award Nominee (Best Web Comic)

May 2019

The nominations in each category are generated by a five- to a six-member jury, then voted on by comic book professionals and presented at the annual San Diego Comic-Con held in July, usually on Friday night. The jury often consists of at least one comics retailer, one librarian (since 2005), and one academic researcher, among other comics experts.

  • Chromacon 2013 - Comics Category winner

Chromacon

May 2013

Third place for comic entry

  • Chromacon 2015 - Comics Category winner

Chromatin

Third place with comic book entry.

Resources[]

You can buy Lore Olympus Prints and Merch at:

Links[]

Gallery[]

Click to view the gallery for Rachel Smythe.
Click to view the gallery for
Rachel Smythe

References[]

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